WORKNOT!
Sarmad
Neverland Cinema
eflux: Laboring for Home (text)
Extraction; a trans-scalar inquiry (book)
Livelihoods, Solidarities, and Others: Minimum Dwelling
Minimum Dwelling (talk)
Fictioning Comfort
Fictioning Comfort Closing
 Fictioning Comfort Pocket Books
On Solidarity
Parable of Mehr
Other Ways of Watching Together
A Discomfort Inside (convo)
FC and Other Strata of Rotterdam (convo)
Un-Making Image
2 X 1 Compression / Augmentation (book)
Footprint: The Common Apartment (text)
Chamber
The Project of my Self
Housing Contemporary Forms of Life
Farsh
Narrating the Shared Spaces
Framing the Common 
Framing the Common / مشاع
Cierre La Puerta Antes de Entrar
Absalon: Proposition D’habitation
The exhibition Tower (book)
The Inventory
Life Hack: Space
Public Terms in Transition
Spatial Potential
The Imperfect Image
HUNCH: Community Issue (book)
The Berlage Reading Group
Bike Messenger Round Roffa
BAKfiets bike messenger rounds Utrecht/R’dam
A Family House
Gentle Strategising

About / Contact
A
bsalon is a contribution installation as part of the project The Exhibition Tower, made and curated by Brenda Tempelaar. Absalon is an installation of two videos screened simultaneously; one, a performance by Absalon (Meir Eshel) in his living unit in a gallery space, and the other one, compilation of footage of gallery visitors seeing the living units made by him all collected in one exhibition space, after his death.

The two videos reflect on the intertwinement of artistic production practices, spaces of exposition of artistic products, and the reproductive/domestic activities of the artist. The maquette made by Brenda Tempelaar serves as stand for the beamers projecting these two videos, is a gesture to criticise the roles that the ones in position of power (institutions, architects, commissioners, etc) play in this context.

“The Exhibition Tower, a maquette of Lafayette Anticipations, serves as a miniature exhibition venue for exhibitions by other artists. Every iteration is documented and presented in overview with previous installations.” (Brenda Tempelaar)



Email    Instagram