WORKNOT!
Sarmad
Neverland Cinema
eflux: Laboring for Home (text)
Extraction; a trans-scalar inquiry (book)
Livelihoods, Solidarities, and Others: Minimum Dwelling
Minimum Dwelling (talk)
Fictioning Comfort
Fictioning Comfort Closing
 Fictioning Comfort Pocket Books
On Solidarity
Parable of Mehr
Other Ways of Watching Together
A Discomfort Inside (convo)
FC and Other Strata of Rotterdam (convo)
Un-Making Image
2 X 1 Compression / Augmentation (book)
Footprint: The Common Apartment (text)
Chamber
The Project of my Self
Housing Contemporary Forms of Life
Farsh
Narrating the Shared Spaces
Framing the Common 
Framing the Common / مشاع
Cierre La Puerta Antes de Entrar
Absalon: Proposition D’habitation
The exhibition Tower (book)
The Inventory
Life Hack: Space
Public Terms in Transition
Spatial Potential
The Imperfect Image
HUNCH: Community Issue (book)
The Berlage Reading Group
Bike Messenger Round Roffa
BAKfiets bike messenger rounds Utrecht/R’dam
A Family House
Gentle Strategising

About / Contact
Chamber (2019) is an installation by WORKTNOT! part of the collective show “Odeón o de la Contingencia” that through a series of site-specific projects, reflects on the past and future of this building and its legacy. The beautiful building used to be Odeón cinema in Bogota, and now its so-called ruins have turned into a space for art and culture in the past few years: Espacio Odeón. The installation ‘Chamber’ sees the so-called ruins of Odeón as a performative archive itself. Opposing the idea and strategy of “preservation” and replacing it with the idea of performance and strategizing an enabling body. It contemplates the conditions and performances of artistic production and exposition through stressing the notion of ‘praxis’. Placed on the beams of the ruined amphitheater, it discusses bodily and spatial practices of inhabitation through a three-leveled elemental structure framing: collectivity, knowledge, and comfort.


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