WORKNOT!
Sarmad
Neverland Cinema
eflux: Laboring for Home (text)
Extraction; a trans-scalar inquiry (book)
Livelihoods, Solidarities, and Others: Minimum Dwelling
Minimum Dwelling (talk)
Fictioning Comfort
Fictioning Comfort Closing
 Fictioning Comfort Pocket Books
On Solidarity
Parable of Mehr
Other Ways of Watching Together
A Discomfort Inside (convo)
FC and Other Strata of Rotterdam (convo)
Un-Making Image
2 X 1 Compression / Augmentation (book)
Footprint: The Common Apartment (text)
Chamber
The Project of my Self
Housing Contemporary Forms of Life
Farsh
Narrating the Shared Spaces
Framing the Common 
Framing the Common / مشاع
Cierre La Puerta Antes de Entrar
Absalon: Proposition D’habitation
The exhibition Tower (book)
The Inventory
Life Hack: Space
Public Terms in Transition
Spatial Potential
The Imperfect Image
HUNCH: Community Issue (book)
The Berlage Reading Group
Bike Messenger Round Roffa
BAKfiets bike messenger rounds Utrecht/R’dam
A Family House
Gentle Strategising

About / Contact


Fictioning Comfort is a show curated by WORKTNOT! at MAMA Rotterdam, summer of 2020.

From the scale of living bodies, to landmasses, and even on a planetary one – our world is saturated with processes and relations that are exhausting. This exhaustion is consequential; we glamorise producing but overlook the exhaustion and even fatigue that might follow it. The social and political pressure on maintaining a constant production comes at a price: perpetual work, overproduction, and as a result, consuming precarious bodies and other planetary resources. 

In addition to this perpetual exhaustion as a result of (over)productivity, exhaustion comes as a consequence of unjust sociopolitical and economic orders that prioritise it. It is for these reasons that ideas and practices of ‘comfort’ are crucial in imagining a different future world. We feel the need to investigate comfort in a way that goes beyond constructed and capitalist ideas; comfort is more than just the process of rejuvenation for the purpose of maintaining a certain level of productivity. Therefore, imagining other conceptions of comfort means imagining different sociopolitical orders and ways of performing in the world; it is a practice with political urgency. 

Both exhaustion and ‘comfort’ can be understood as states, performances, landscapes, and conditions that constantly shape our understandings of the world around us – they all influence the ways in which we inhabit, and make space in it. 

Within this world, ‘home’ is a locus of various dimensions of living practices. On the one hand home is a space of production of work, experiencing exhaustion and fatigue, and resting of the (tired) bodies. On the other hand home stands for ideas and forms of inhabiting the world. In short, home can be seen as a landscape where exhaustion and comfort are entangled together. 

The collective project Fictioning Comfort includes works that take an urgent socio-political stance by fictioning ideas and practices of ‘comfort’. This is done by way of spatial installation, body performance, historical research, science fiction, image making, resource redistribution, extending kinships, and humor. 

>> The show is on view at fictioningcomfort.space
>> The offline part of Fictioning Comfort was on view at MAMA’s Showroom until 13 September, 2020.
Email    Instagram