WORKNOT!
Sarmad
Neverland Cinema
eflux: Laboring for Home (text)
Extraction; a trans-scalar inquiry (book)
Livelihoods, Solidarities, and Others: Minimum Dwelling
Minimum Dwelling (talk)
Fictioning Comfort
Fictioning Comfort Closing
 Fictioning Comfort Pocket Books
On Solidarity
Parable of Mehr
Other Ways of Watching Together
A Discomfort Inside (convo)
FC and Other Strata of Rotterdam (convo)
Un-Making Image
2 X 1 Compression / Augmentation (book)
Footprint: The Common Apartment (text)
Chamber
The Project of my Self
Housing Contemporary Forms of Life
Farsh
Narrating the Shared Spaces
Framing the Common 
Framing the Common / مشاع
Cierre La Puerta Antes de Entrar
Absalon: Proposition D’habitation
The exhibition Tower (book)
The Inventory
Life Hack: Space
Public Terms in Transition
Spatial Potential
The Imperfect Image
HUNCH: Community Issue (book)
The Berlage Reading Group
Bike Messenger Round Roffa
BAKfiets bike messenger rounds Utrecht/R’dam
A Family House
Gentle Strategising

About / Contact
L.
We do not know L. And we perhaps do not need to know much about her, either.
Just as she preferred, we read her in her anonymity.

I was kindly welcomed in the SEA Foundation’s reading circle by Michaela Davidova who also moderated the event, as part of SEA Foundations’ longer-term research of art and sustainability fold #07 on Solidarity. 

We read L.’s text to think about revolutions through an economy of images, the images which make the bodies of women and queer people visible, and speculates about the forms of resistance (on the ground and in the virtual space) that connect us. The facelessness and namelessness of the writer not only opens up the conversation on solidarity with non-human and material things, but also raises questions about the possibility of solidarity within the spectacle economy of the artistic and cultural field. It makes space to think about whose bodies we connect to, in solidarity, and how.



Image is taken from printed pages of a visual archive of images of the revolution, a project by a collective of anonymous artists.
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